an ongoing series created by Cathy Weis Projects
Weis Acres, 537 Broadway #3
November 23, 2014 at 8pm
Curated by Catherine Galasso featuring work by Andy de Groat and Jim Neu
A cross-generational gathering and performance event that celebrates NY performance history and the contemporary question of archiving through the re-creation of works by seminal downtown artists Andy de Groat and Jim Neu. The evening includes readings of two short scenes written Neu, a live re-performance of de Groat's Rope Dance Translations from 1974, followed by a structured improvisation between young dancers and former Andy de Groat collaborators.
Jim Neu scenes performed by Jess Barbagallo, Joshua William Gelb and Keith McDermott.
Andy de Groat's Rope Dance Translations performed by Rachel Berman, Christine Bonansea, Patrick Gallagher and Buck Wanner.
Discussion and improvisation by former Andy de Groat collaborators (special guests to be announced.)
About Sundays on Broadway:
In May 2014, Cathy Weis Projects launched Sundays on Broadway, a new, ongoing series featuring performances, discos, film screenings, dinner parties and all manner of affairs on Sunday evenings. All events begin at 8pm and are free and open to the public. The series is held at WeisAcres in SoHo, New York, at 537 Broadway #3 (between Prince and Spring Streets).
Photos above by Lois Greenfield and Donna Ann McAdams
Andy de Groat was born in 1947 in the United States into a family of Dutch, Italian, French, German and English origins. Whilst studying at the New York School of Fine Art in 1967, he met the director Robert Wilson. He joined his troupe as a dancer, then as a choreographer for all the productions from Deafman Glance in 1971, A Letter for Queen Victoria in 1974 to Einstein on the Beach in 1976, created for the Avignon Festival. In 1981, he received a grant from the Guggenheim Foundation in New York for his choreographic research. He created new works in succession for red notes/cie andy de groat, including several for Jean Guizerix, Wilfride Piollet, Jean-Christophe Paré, the Choreographic Research Group of the Opera of Paris (GRCOP), the Scala in Milan, Ris et Danceries, the Ballet du Nord (Roubaix) and Wah Loo Tin Tin Co, a Montauban-based company of young performers. Today, his work totals over sixty creations that have been presented in around twenty countries and periodically goes back to questioning the repertoire and the heritage of dance. His company has worked regularly on lyrical productions since 1988, in particular on The Magic Flute (Mozart), with Robert Wilson at the Opera Bastille, Paris, The Rake’s Progress (Stravinsky), with Alfredo Arias for the Aix-en-Provence Festival of Lyric Art and at the Operas of Lyon, Gênes and Montpellier, Aida (Verdi) and Klaus Michael Grüber at the Amsterdam Opera.
Jim Neu has written over 25 plays which have been presented at Dixon Place, PS122, Danspace Project, Soho Rep, Westbeth Theater Center, often at La MaMa and also in various cities here and abroad. Dixon Place presented ALONE TOGETHER in 2004 and 2005, THE BIG LIP AND OTHER BALKTALK in 2000 and works-in-progress versions of many of his plays. He has collaborated with choreographers such as Douglas Dunn, Yoshiko Chuma, David Woodberry, Cathy Weis and Charles Moulton and wrote screen plays for Andy Horn’s films, DOOMED LOVE and THE BIG BLUE. http://www.jimneu.com/